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The Cultural Gutter

Thoughtful Writing About Disreputable Art

Carol Goes to Fantastic Fest 2026!

By Carol on September 24, 2026 • ( Leave a comment )

Fantastic Fest 2026: Terms & Conditions (USA, 2026)

By Carol on September 23, 2026 • ( Leave a comment )

Fantastic Fest 2026: Kung Fu Deadly

By Carol on September 22, 2026 • ( Leave a comment )

Fantastic Fest 2026: Girl In The Night!

By Carol on September 21, 2026 • ( Leave a comment )

Fantastic Fest 2026: Donkey Princess

By Carol on September 19, 2026 • ( Leave a comment )

Fantastic Fest 2026: Kylgor In The Grisly Abyss!

By Carol on September 18, 2026 • ( Leave a comment )

Cinema Shame’s Burt Reynolds Special, Vol. 1!

By Guttersnipe on September 28, 2018 • ( Leave a comment )

Friends of the Gutter Jay Patrick and Kerry Fristoe talk about Burt Reynolds with Christian Devine and Carrie Rickey on the Cinema Shame podcast. “In the first of two episodes dedicated to the Bandit, my guests and I talk about White Lightning, Gator, Smokey and the Bandit, Semi-Tough and Starting Over and just about everything […]

I Am the American Cool, Suite 2: This is a Cold War

By Keith on September 27, 2018 • ( Leave a comment )

Author’s note: In April 2022, Monáe stated in an interview that their preferred pronouns are they/them. This article has been updated to reflect Janelle’s identity. As it turned out, the success of extravagant films like Metropolis had no bearing on the continued production of such opulent films in […]

“Play Nimmi For Me: Aag and Mera Naam Joker with Beth Loves Bollywood”

By Guttersnipe on September 26, 2018 • ( Leave a comment )

The Gutter’s own Beth appears on Bollywood Is For Lovers to discuss Aag and Mera Naam Joker. She offers this preview: “1) one of these is a compelling artistic statement, 2) one is a solipsistic creepy slog, and 3) Dharmendra is a good candidate to wear a leotard.”

“A Brief History of Guitar Distortion”

By Guttersnipe on September 25, 2018 • ( Leave a comment )

Open Culture offers a “Brief History of Guitar Distortion.” “The sound of rock and roll is the sound of a distorted guitar, but the history of that sound predates the genre by a few years. It started out with blues and Western swing guitarists, searching “for a dirtier […]

“We can do better. We must do better”

By Guttersnipe on September 24, 2018 • ( Leave a comment )

At the Virtues of Captain America, friend of the Gutter Mark. D. White looks at Avengers #32-3 (Sept. / Oct. 1966). “These two issues are not heavy on ethical content related to Captain America specifically, but it is a particularly timely story… unfortunately. It deals with a white […]

“I am still alive, I am still curious. I am not a piece of rotting flesh.”

By Guttersnipe on September 23, 2018 • ( Leave a comment )

The Guardian profiles filmmaker Agnès Varda. Nowadays, Varda is spending less time researching new ways of making cinema. Not because she hasn’t got the energy but because she believes she can do more groundbreaking work with art installations. In the end, she says, all art is about communication. […]

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The Cultural Gutter is a website dedicated to thoughtful writing about disreputable art. The site is updated every Thursday afternoon. Carol Borden, Sachin Hingoo, Alex MacFadyen, Beth Watkins, and Michelle Kisner probe science fiction, draw out the best in comics, stare deeply into the screen, sink their fangs into horror, dally with romance, speedrun their brains on videogames, grapple with wrestling, and explore so much more. Our Guest Stars shine here. Thanks to Gutter aesthetic director Brian Kirby for all his swank art. Thanks to EJ Lee for providing the fantastic art we used in the Cultural Gutter book. The Cultural Gutter's signature nail polishes, "Disreputable," and, "Disreputable 2: Hellcat," were created by Andrea Evans of MPZ Cosmetics. MPZ Cosmetics also teamed up with Dill McKinley to recreate the classic fragrance, Cornichon by Dill McKinley for Gutterthon 2021. Follow us on Bluesky, Facebook, and Mastodon. We do not accept unsolicited pitches.

No part of this text or any text on the Cultural Gutter site may be used to train artificial intelligence systems without the written permission of the author and The Cultural Gutter.

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